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Music in Horror Film is a collection of essays that examine the effects of music and its ability to provoke or intensify fear in this particular genre of film. Frightening images and ideas can be made even more intense when accompanied with frightening musical sounds, and music in horror film frequently makes its audience feel threatened and uncomfortable through its sudden stinger chords and other shock effects. The essays in this collection address the presence of music in horror films and their potency within them. With contributions from scholars across the disciplines of music and film studies, these essays delve into blockbusters like The Exorcist, The Shining, and The Sixth Sense together with lesser known but still important films like Carnival of Souls and The Last House on the Left. By leading us with the ear to hear these films in new ways, these essays allow us to see horror films with fresh eyes.

• Sales Rank: #1407907 in Books
• Published on: 2009-12-18
• Released on: 2010-01-18
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x .58" w x 6.00" l, .80 pounds
• Binding: Paperback
• 256 pages

About the Author

Neil Lerner is Associate Professor of Music at Davidson College, with his Ph.D. in Musicology from Duke University. He has several published articles and numerous conference presentations to his credit, including co-authorship on our book with Joseph Straus, Sounding Off: Theorizing Disability in Music. Moreover, he is an active teacher of Film Music and carries a full load, teaching the curricula for general liberal arts students as well as required courses for music majors.

Most helpful customer reviews

1 of 1 people found the following review helpful.
Valuable for Film Composers, Arrangers as well as Soundtrack Fans
By frankp93
I received a free item to review.

The essays divide roughly between those that describe music in technical terms - including brief, single-staff or short score excerpts - and others which stick strictly to text.

Julie Brown’s opening essay on the role of the organ and organ music in ‘Carnival of Souls’ is a wonderful opening and ‘table-setter’ for the rest of the collection.

The pivotal ideas of Brown’s essay is the ambiguity of music that functions on one hand for the benefit of the film audience as part of the film’s ‘geography’, yet at certain pivotal moments, that same music may or may not be heard in real-time by the actors as an integral element of the story. If you know the film it’s a powerful realization. The other fascinating topic is the organ's role in (at least classic era) horror film, both symbolic and musical. We take it for granted as almost a cliche of the past, but the historical associations and ramifications are surprisingly rich.

The most interesting essay from a musical/analytical perspective is Janet K. Halfyard’s ‘Mischief Afoot’ where she illustrates the use of tritones, chromatic modulations and paradisiac techniques by film composers such as Elfman, Goldstein, etc...

Halfyard uses one or two system staves to illustrate themes and harmonic passages and the mix of bite-size analysis and thoughtful text is perfect for this context. I was so impressed I picked up a copy of her full-length analysis of Elfman’s Batman score, which I also recommend to musicians in search of film music insight.

Other essays deal with music as an element of film/cultural criticism which I found equally interesting for various reasons. Many films mentioned are from the 60's-80's - perhaps reflecting the generational bias of the writers – but those also happen to be my own biases so it’s not a problem!

Rather than a hodgepodge of topics, there appears to be a conscious effort to meld a cohesive set of themes. The editor has wisely cross referenced many essays throughout the book, lending a welcome continuity not always found in such collections.

I wholeheartedly recommend the book to aspiring film composers looking less for production tips than perhaps for an historical aesthetic along with some vivid and ‘lightly technical’ advice.

One criticism of the book I have is unfortunately the term ‘atonal’ is bandied-about in a misleading fashion when ‘dissonant’ and ‘excessively chromatic’ would have been more appropriate. ‘Atonal’ opens up a huge can of worms depending on who you’re speaking to but composers and musicians who appreciate the distinction might bristle at the casual usage.
.

1 of 1 people found the following review helpful.
great book!
By Celia
never thought I could enjoy a book on music, but I love horror, so I'd give it a try. turns out it was a pretty good read and taught me something about music in horror cinema. 10/10 would read again

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[K998.Ebook] Download Hello, He Lied: And Other Truths from the Hollywood Trenches, by Lynda Obst

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The producer of such films as Flashdance and Sleepless in Seattle takes readers inside a major film studio and traces the wrangling among stars, directors, agents, and executives that goes into making a picture.

• Sales Rank: #1240661 in Books
• Published on: 1996-09
• Original language: English
• Number of items: 1
• Dimensions: 9.75" h x 6.75" w x 1.00" l,
• Binding: Hardcover
• 246 pages

Amazon.com Review
Hollywood producer Lynda Obst (Flashdance, Sleepless in Seattle) recounts her own battles in Hollywood's trenches--from her beginnings as a journalist to her current role as the maker and breaker of careers. Like other "classic" Hollywood books--Hollywood Babylon by Kenneth Anger and You'll Never Eat Lunch in This Town Again by Julia Phillips--Hello, He Lied is saturated with sleaze and proves, once again, that most of Tinseltown's stars are seriously lacking in the upstairs department.

From Publishers Weekly
In her first book, movie producer and former New York Times Magazine editor Obst creates a peculiarly Hollywood kind of hybrid, a memoir/survival guide that describes what it's really like to get a movie made while still managing to say something nice?or at least benevolently neutral?about everybody in power. Obst left a dream job at the good gray Times to become a "development girl" (scouting material and overseeing script writes) for hyper-ambitious studio head Peter Guber. From Guber she learned that success means never going to a meeting (or doing anything) without a strategy. Her strategy here is to portray herself at work, describing how she has learned to handle tough situations and tough people. Thus, supermogul David Geffen, who once mused during a meeting that she should consider collagen shots, is praised for his personal manager-like interest in his employees' lives. Obst distills her experience into a coda for survival. She knows not to buck major trends ("Ride the Horse in the Direction Its Going," reads one chapter title). She knows when to put projects on the back burner ("Putting It on the Roof"). Above all, she understands the "Tao of Power," as explained in a chapter that reads like a contemporary Hollywood version of The Art of War: "The secret that all powerful people know is that no one else gives you power.... With power, there is no permission to be granted. Permission must be seized." At times, the writing is awkward: "The latent energy that makes imploding friendships so dangerous is the fact they are playlets of this familial struggle." But there are gems in the gravel. Obst's rundown of the difference between an arty "fuzzy girl" as opposed to an Armani-wearing "crisp girl" is worth the price of admission. Photos not seen by PW.
Copyright 1996 Reed Business Information, Inc.

From Library Journal
The title reveals Obst's success producing Hollywood films?part adolescent aggression (Hey, you idiot!) and part practical philosophy (lies can be truths). Writing in a breezy, readable style, she frankly steps through the ups and downs of her "high-stakes career" producing Sleepless in Seattle, Flashdance, and The Fisher King. Many bulleted lists ("tips on moguls") punctuate chapters titled "Never Go to a Meeting Without a Strategy," "The Tao of Power," and "My New Best Friend." And she does not shrink from telling a story about herself, particularly if it flatters one of her many powerful mentors. Obviously a sharp, well-read, and industrious worker, Obst has produced a book that is unfortunately short on details about the art of producing and long on sensible advice useful no matter what career you pursue. Primarily for those into Hollywood "wisdom," this book also substitutes as a popular psychology lesson in interpersonal politics. For larger public libraries and where there is demand.?Jane E. Sloan, Rutgers Univ. Libs., New Brunswick, N.J.
Copyright 1996 Reed Business Information, Inc.

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3 of 4 people found the following review helpful.
Interesting at first...
By Bill Baity
There are many reasons you might want to read this book, and it serves some needs well. I bought a used copy and it was apparent that others had lost interest partway through.
You think you want to be a Hollywood producer? This book might be for you: the author worked her way up partway (she was, after all, listed as a producer on Interstellar) and has some amusing examples of conversations with footnotes as to the true motives behind the words. She also provides useful rules for various aspects of the business. In fact, these may be the true value of this work, as these rules are applicable well beyond the craziness of Hollywood. She also provides useful information for women in business, where there is plenty of room for improvement. Also in academe.
If you are reading this for insights into individuals, it may be less useful, as it was published in 1996.
If you are a wannabe writer, director, agent or studio mogul, reading this or anything else will not help.
Towards the end it gets a bit self-serving, as others have noted.

4 of 5 people found the following review helpful.
Lynda Obst's book is entertaining, thoughtful and a solid introduction to Hollywood culture
By Robi Ganguly
Well written, entertaining and easy to read, this book is a fun exposition of Hollywood culture, politics and the personalities involved. Despite not really being in the Hollywood business, I found this informative and something I just had to finish. Highly recommended.

0 of 1 people found the following review helpful.
A great read
By Lisa Marie
Lynda is so entertaining with her stories of Hollywood.

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This user-friendly reference presents easy-to-implement classroom applications to help increase teaching effectiveness and enhance student outcomes and includes specific tips for boosting cognition and improving test scores.

• Sales Rank: #3401744 in Books
• Brand: Corwin
• Published on: 2000-02-16
• Original language: English
• Number of items: 1
• Dimensions: 9.92" h x .65" w x 7.94" l, 1.33 pounds
• Binding: Paperback
• 248 pages

Features

• Sub-Title - The New Science of Teaching.
• Authored - Eric Jensen.
• Author Affiliation - Jensen Learning, San Diego, CA.
• Other Author(s) - Michael Dabney.
• Binding - Paperback.

About the Author

Eric Jensen is a former teacher and current member of the Society for Neuroscience and New York Academy of Sciences. He has taught at all levels, from elementary through university level and is currently completing his PhD in human development. In 1981, Jensen cofounded SuperCamp, the nation’s first and largest brain-compatible learning program, now with over 50,000 graduates. He has since written Teaching with the Brain in Mind, Brain-Based Learning, Deeper Learning, Arts with the Brain in Mind, Enriching the Brain, and 21 other books on learning and the brain. A leader in the brain-based movement, Jensen has made over 45 visits to neuroscience labs and interacts with countless neuroscientists. He was the founder of the Learning Brain EXPO and has trained educators and trainers for 25 years worldwide in this field. He is deeply committed to making a positive, significant, lasting difference in the way we learn.

Most helpful customer reviews

9 of 10 people found the following review helpful.
Be an informed educator
By Amazon Customer
This book is compiled from the online "learningbrain" monthly newsletter, which gives the latest and timely research articles pertinent to education. The book covers a similar format in 10 areas: cognition, environments, achievement and test performance, music/arts, memory, mind/body, nutrition, enrichment, early years, and the fragile brain. Each article gives a succinct summary of the issues based on research data, "Action Steps" and sources. There are just too many interesting and relevant topics. A few examples: "Is Chocolate Good for Learning?", "The 'Mozart Effect' Under Fire: Where Do We Go From Here?", "Why Some Learners Strive on Stress?", "Learning a New Language in Early Childhood Requires Less Brain Effort", "Neuroplasticity: How Do We Change Our Brain?', "The Biology of Cheating"... There are many passages that you wish to quote and teach the students. Teachers and school administrators can also make better decisions based on reliable information supplied by the book.

Compared to Jensen's other books with even more illustrations, I hope this book could be improved in the next edition. E.g., can you make sense of the following? "Research suggests that fonts with serifs (referring to the short lines stemming at an angle from the upper and lower ends of the stroke of a letter) increase reading speed rates when compared to sans serif fonts (without seifs)." (p. 10) A sketch of the anatomy of the brain would help for visualising many terms throughout the book. E.g. in "Gender Differences and Learning Performance", unless you have some background already, it would be hard to know what is being compared (pp. 69-71). Of course you can start with other introductory books first. Overall, this is a very valuable and interesting book for all educators.

1 of 1 people found the following review helpful.
Teaching Kids To Learn Smarter !!
By L. J. Oja
This is an excellent resource, and while primarily written for the elementary or secondary school teacher, there are plenty of suggestions and scenarios for parents too. The book focuses on what can be done to encourage smart learning. There is some mention of the research, but again, the focus is on the "how" and not as much on the "why". It does not try to be a book on the psychology of learning, but a how-to book to improvement in learning.

Experienced teachers will find themselves agreeing with many of the points made in the book, but there are quitely likely additional techniques and strategies to incorporate into your everyday toolbox. For the younger teacher, this is an excellent way to add a few more years of experience under your belt, with very much less effort.

I most heartily suggest this, but more importantly share this information with your colleagues. No man is an island, and it is not very effective to be the only one teaching: "learning smarter".

0 of 6 people found the following review helpful.
Learning Smarter: The New Science of Teaching
By Bobby
I am very pleased with this order. The book is like new condition, the shipment was puntual.

Thank you!

Bobby

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LaFerrari: the official catalog dedicated to the latest masterpiece realized by the world-famous Italian brand. What lies behind the search for excellence in a sports car? This book reveals the work put into the production of the new supercar, LaFerrari-a car whose ambitions are evident in its very name.This is a voyage of discovery of the Italian passion, method, and excellence that created an authentic masterpiece on four wheels. It unfolds through the stories of the people who have worked on the project and the photos of its creation. Comparisons with its predecessors, the first style drafts, the clay models, wind-tunnel research, studies on cockpit ergonomics, vehicle dynamics, and the perfection of the gears and brakes are revealed here in an ebb and flow of images and drawings. Furthermore, the story of the development of the HY-KERS technology and its contribution in Formula 1 races allows an insight into one of the most advanced frontiers in the world of sports cars destined for the road. High craftsmanship, human experiences, and futuristic technologies combine in this fascinating story, a group work that achieves the greatest combination of innovation and aesthetic beauty. Through over one hundred images never before published, the volume examines the exciting story of aesthetic and technological research behind LaFerrari, a masterpiece of dynamic art.

• Sales Rank: #1363260 in Books
• Published on: 2013-11-12
• Released on: 2013-11-12
• Original language: English
• Number of items: 1
• Dimensions: 9.45" h x .73" w x 9.46" l, 1.98 pounds
• Binding: Paperback
• 144 pages

About the Author
Moreno Gentili, an artist and concept designer, teaches at the Milan Polytechnic. He has written for Corriere della Sera, Domus, Giornale del Design and other publications. He authored Bally since 1851 (Skira, 2007) and Guzzini: Infinite Italian Design (Skira, 2012).

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3 of 3 people found the following review helpful.
Great catalog-like soft-cover book
By Olaf Wernicke
A great soft cover short story book of all Ferrari's Super-Cars, followed by basic details of the LaFerrari exterior, interior and power plants. All what I was looking for in a beautiful catalog-like book. Great passion and love for details. Now, the only thing missing, seeing one of those wonders on the road - which will be rare / very rare ...

0 of 0 people found the following review helpful.
Five Stars
By chaz
a concise insight into the design of this wonderful car.

0 of 2 people found the following review helpful.
Awesome Book!!!
By Ricky
I personally do not own a Ferrari or Lamborghini but I down an American Supercar.
This book is fantastically done. Pictures are like you are there really great really nice.
You can see the making of the latest great Ferrari icon the Ferrari LaFerrari, the mules, the scales of the Hypercar.
This is money well spent.

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Tells even those owners without technical knowledge nor previous car restoration experience how to completely restore their Volkswagen Beetle's bodywork, interior, mechanical and electrical components. All you need to know - in step-by-step detail - to make your Beetle like new again. An essential guide for millions of VW Beetle owners around the world.

• Sales Rank: #1017778 in Books
• Brand: Brand: Veloce
• Published on: 2004-08-27
• Original language: English
• Dimensions: 10.50" h x .75" w x 8.00" l, 2.16 pounds
• Binding: Paperback
• 224 pages

Features

• Used Book in Good Condition

About the Author

Jim Tyler has experience of restoring a wide range of classic cars, from a 1949 AC Saloon and 1940s military vehicles to cars manufactured into the 1990s. He has written classic car restoration guides based on his experience, owners' handbooks and workshop manuals for modern cars. Jim lives in Worcester, in the UK.

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1 of 1 people found the following review helpful.
A good book to add to your restoration library
By Joe Average
I was looking for a Beetle version of the rust repairs shown in such good detail in the "How to Restore Volkswagen Bus (Enthusiast's Restoration Manual) by Mark Paxton".

This Beetle book does cover some of the same details but not nearly as much as I had hoped. I'll use the reconstruction techniques detailed in the VW Bus book coupled to the Beetle book.

Still, worth the study/read. I have about a dozen books for my Beetle and Bus and the books combined cover just about everything a person would like to know about a ground up restoration. (I love books.)

14 of 15 people found the following review helpful.
A very good review of body work
By Daniel McGlaun
The book pulls no punches about how easy it isn't(!) to restore an old bug. But, it has lots of very good color pictures of real cars (not the pristine shots you get in shop manuals). And, the writer gives anecdotes about his experiences working on cars, what to look for in one, and when to walk away because it's likely hopeless. Sadly, his anecdotes are nowhere near as good as the Muir book. And, you really have to think twice because the entire book is written in British English (you'll be calling a wrench a "spanner" by the time you're through with it). Overall a very good purchase, even at the somewhat high price.

2 of 2 people found the following review helpful.
restorations.
By Tony
This is also another one of the best books ive bought, great pictures, and the detail that goes into the repairs and rebuilding are great.

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Thad’s world crumbled the night he said those three little words to his best friend, Haydin Rivers. But he couldn’t, wouldn’t take them back. His heart turned to ashes at the rejection of Haydin…and his own parents. Thad fled the small town of Maysville. He wouldn’t stay where he was not wanted. He made his way from Kentucky, across America to California.

Thirteen years later, Thad had to return to the town that caused him so much pain. A little sister waited for him, and unknown to him, so did Haydin. But Thad saw Haydin, the CEO of Thad’s father’s corporation, and more importantly, saw the lover now with Haydin. The ashes of Thad‘s heart burned painfully all over again.

==================

Haydin missed Thaddeus Carmichael. He knew he’d destroyed Thad when he’d rejected him…violently. But Haydin didn’t want to admit who he was. Wasn’t even sure who he was supposed to be. Thad made it easy…and hard, to be open and honest. Ten years later, Haydin finally came out of the closet and after another year, had a lover. A lover that was soon forgotten when Thad came back to town two years later.

Haydin had every intention of winning Thad’s heart again. Making it whole from the ashes he‘d created. Repairing the damage he’d done thirteen years ago. And this time around, he had help. Thad wasn’t the only one who returned to Maysville. Shea Rivers, Haydin’s brother returned too. And Shea was determined to have Thad’s little sister, Clarissa. Haylee, Haydin’s twin sister, the one person who’d been there through Haydin’s torturous journey to coming out, wanted her brother happy. And the only one who could make Haydin happy…was Thad.

Warning: Book contains content some readers may find objectional including male sexual practices/intercourse, language and adult themes.

Cover Art by Remmy Duchene

• Sales Rank: #940014 in eBooks
• Published on: 2011-05-30
• Released on: 2011-05-30
• Format: Kindle eBook

Most helpful customer reviews

5 of 5 people found the following review helpful.
Nicely told story of redemption
By Tom W
Thirteen years ago, Thad's world imploded. He finally told his best friend, Haydin, that he loved him. For that, he got punched in the face and cursed out. Called horrible names. Then, when he got home, he made the mistake of telling his parents what happened. And got thrown out for being gay. He left his Kentucky home for California.

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C.R. Guiliano is a writer I have been following for a little while, and I have been excited to see grow and find her voice. And in this wonderful and rich story, she has come into her own.

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With a heavier hand this would be melodramatic and angsty. But she has reined herself in and let the story tell itself. And a wonderful story it is. Love. Betrayal. Redemption. Tragedy.

Well done. I hope to see more from Ms. Guiliano.

Tom

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Guynn offers an innovative new approach to the ethical, cultural, and ideological analysis of medieval allegory. Working between poststructuralism and historical materialism, he considers both the playfulness of allegory and its disciplinary force.

• Sales Rank: #5953520 in Books
• Brand: Brand: Palgrave Macmillan
• Published on: 2007-02-15
• Released on: 2007-03-06
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x 1.00" w x 6.00" l, .83 pounds
• Binding: Hardcover
• 218 pages

Features

• Used Book in Good Condition

Review

"For the researcher and scholar, Noah Guynn's main argument is an important one, and his 'minor threads' are illuminating and full of potential - a small volume to be highly recommended." - Studies in Medieval and Renaissance Teaching

'Through a series of keenly intelligent readings Guynn deftly tracks the complex interrelations of allegory and ethics in the High Middle Ages. Relentlessly ideological - at once transcendental and ambiguous- allegory, he argues, works to privilege some readers and exclude others. Guynn's clear and nimble prose invites all readers to consider afresh the machinations of this pervasive medieval discursive mode.' - Carolyn Dinshaw, New York University; Author of Getting Medieval: Sexualities and Communities, Pre- and Postmodern

'Allegory and Sexual Ethics in the High Middle Ages will give literary critics and historians of sexuality alike pause for thought. Whereas the formal and playful dimensions of allegory - and particularly sexual allegory - have received a good deal of attention recently, Noah Guynn shows that allegorical texts frequently also have a serious, indeed ethical dimension that makes them at one and the same time harshly coercive, yet troublingly indeterminate. Re-reading familiar texts such as the De planctu Naturae[NG1] , the Eneas, and the Rose with him is a revelatory experience, and his crisp close readings are always illuminating.' - Simon Gaunt, King's College London, Author of Love and Death in Medieval French and Occitan Courtly Literature: Martyrs to Love

'Allegory and Sexual Ethics in the High Middle Ages offers an original and compelling argument about the imbrication of rhetorical figuration, sexual desire, and political control in twelfth- and thirteenth-century France. In a series of detailed readings, Guynn shows that medieval texts not only recognize the instability of the relationship between language and meaning, but they use that instability to construct notions of deviance and to censor and punish deviant bodies. This is an original argument; it is also a humane one, in that it is attentive to the ways in which discursive forms of coercion focus on lived bodies. Beautifully written and elegantly argued, Allegory and Sexual Ethics [NG3] offers an important new understanding not just of a genre, but of the ethical and political workings of that genre.' - Peggy McCracken, University of Michigan; Author of The Curse of Eve, the Wound of the Hero: Blood, Gender, and Medieval Literature

'Allegory and Sexual Ethics in the High Middle Ages offers a sophisticated, theoretical analysis of the relationship between poetry, power and persecution in the the later Middle Ages. It is an innovative approach to the ethical, cultural and ideological analysis of medieval allegory.' - Journal for the Study of Marriage and Spirituality

About the Author
NOAH D. GUYNN is Associate Professor of French at the University of California, Davis, USA. He is currently preparing a book on the role of ethics in medieval and early modern farce.

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